{"product_id":"suicide-live-at-cbgb-staff-pick","title":"Suicide - Live At CBGB (Staff Pick!)","description":"\u003cp\u003e\u003cstrong\u003e@POWERPLANTRECORDS | PowerPlantRecords.com | Leave a positive Google review!\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003eTitle:\u003c\/strong\u003e Suicide - Live At CBGB\u003cbr\u003e\u003cstrong\u003eYear\/Genre\/Sub-Genre\/City:\u003c\/strong\u003e 1978, Electronic, Synth Punk, New York City, New York 5\/26\u003cbr\u003e\u003cstrong\u003eCondition:\u003c\/strong\u003e New (VZ) | Members: Alan V (38' - 16'), Martin R (47' - )\u003cbr\u003e\u003cstrong\u003eCultural Facts:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003e\n\u003cp\u003e\u003cstrong\u003ePersonal Struggle:\u003c\/strong\u003e Suicide’s early shows were often met with bottles, threats, and fights, with Vega and Rev turning audience hostility into part of the performance.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e\u003cstrong\u003eScene Ecology:\u003c\/strong\u003e CBGB was not just punk guitar territory; Suicide made room for drum machines, repetition, and street-level paranoia in the same downtown ecosystem.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e\u003cstrong\u003eMedia Narrative:\u003c\/strong\u003e The duo’s minimal setup looked wrong to many rock fans, but it helped build the blueprint for synth punk, industrial music, and electronic confrontation.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ol\u003e","brand":"Power Plant Records","offers":[{"title":"Default Title","offer_id":47863437525179,"sku":null,"price":26.98,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0095\/4204\/1658\/files\/download_cf4a22df-3299-4b9c-ab73-2e4db39563c6.jpg?v=1779497401","url":"https:\/\/power-plant-records.myshopify.com\/products\/suicide-live-at-cbgb-staff-pick","provider":"Power Plant Records","version":"1.0","type":"link"}