{"product_id":"miles-davis-in-person-friday-night-at-the-blackhawk-san-francisco-volume-i","title":"Miles Davis – In Person, Friday Night At The Blackhawk, San Francisco, Volume I","description":"\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003e@POWERPLANTRECORDS | PowerPlantRecords.com | Leave a positive Google review!\u003c\/span\u003e\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003e\u003cspan\u003eTitle:\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e Miles Davis - In Person, Friday Night At The Blackhawk, San Francisco, Volume I\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003e\u003cspan\u003eYear\/Genre\/Sub-Genre\/City:\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e 1961, Hard Bop, Modal Jazz, Post-Bop, East St. Louis, Illinois 10\/26\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003e\u003cspan\u003eMatrix #:\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e LE 10018\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003e\u003cspan\u003eCondition:\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e VG+ (LM) | Members: Miles D (26' - 91')\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003e\u003cspan\u003eCultural Facts:\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003col start=\"1\"\u003e\n\u003cli\u003e\n\u003cstrong\u003e\u003cspan\u003eA Tiny Club Caught a Great Band:\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e These performances were recorded at San Francisco's Black Hawk on April 21, 1961, capturing Miles with Hank Mobley, Wynton Kelly, Paul Chambers and Jimmy Cobb in the kind of intimate nightclub setting where the group normally worked, rather than a controlled studio. \u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e\u003cspan\u003eHank Mobley Had an Impossible Job:\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e Mobley occupied the tenor-saxophone chair after John Coltrane and before Wayne Shorter, putting him between two of Miles' most celebrated collaborators. His warmer, more relaxed style gives these Black Hawk recordings a character unlike either the Coltrane or Shorter bands. \u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e\u003cspan\u003eThe Rhythm Section Had Serious History:\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e Wynton Kelly, Paul Chambers and Jimmy Cobb had all played on \u003c\/span\u003e\u003cem\u003e\u003cspan\u003eKind of Blue\u003c\/span\u003e\u003c\/em\u003e\u003cspan\u003e just two years earlier. By the Black Hawk dates they were a deeply seasoned unit, giving Miles the loose, responsive foundation that makes these club recordings feel so alive.\u003c\/span\u003e\n\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cspan\u003e\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Power Plant Records","offers":[{"title":"Default Title","offer_id":67665579212987,"sku":null,"price":23.98,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0095\/4204\/1658\/files\/R-1689341-1666283434-7187.jpg?v=1791836117","url":"https:\/\/power-plant-records.myshopify.com\/products\/miles-davis-in-person-friday-night-at-the-blackhawk-san-francisco-volume-i","provider":"Power Plant Records","version":"1.0","type":"link"}