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Title: Vampire Weekend – Modern Vampires Of The City
Year/Genre/Sub-Genre/City: 2013, Rock, Indie Rock, New York City, NY
Condition: New
Cultural Facts:
Studio Lore: Marked their shift into a more meticulous, edit-heavy process—Ezra Koenig treated arrangements like drafts, revising constantly rather than “capturing a band.”
Media Narrative: The “privileged prep-school band” discourse followed them for years; this album was widely read as the moment they outran the caricature.
Scene Ecology: Built from the NYC/Columbia-era indie network, where blogs, small venues, and tastemaker media created fast pathways to festival-headliner status.