180g Gatefold Mastered from the original analog master tapes
A 1972 folk rock album acclaimed for its introspective lyrics and mellow sound. Featuring hits like "Heart of Gold," it's a timeless classic embodying Young's unique musical vision.
Year/Genre: 1973 Rock / Blues
Matrix #: PC 32168
Condition: VG+
Description: Released in ...
Year/Genre: 1973 Rock / Blues
Matrix #: PC 32168
Condition: VG+
Description: Released in 1973, Janis Joplin's Greatest Hits came out three years after her death at age 27, adding to the mythology of the “27 Club.” Born in Port Arthur, Texas, Joplin became a defining voice of the late 1960s San Francisco scene, known for her raw power and countercultural spirit. This collection kept her legacy alive during a decade when rock was rapidly changing, cementing her place as one of the era’s...
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Title: Marty Robbins...
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Title: Marty Robbins – Gunfighter Ballads and Trail SongsYear/Genre/Sub-Genre/City: 1959, Country, Western, Nashville, TennesseeCondition: New
Cultural Facts:
Studio Lore: Cut quickly in Nashville with tight session players; Columbia packaged it like a “movie in songs” at a time when concept LPs were still new.
Media Narrative: His cowboy storytelling became a safe way for mainstream America to romanticize the We...
Year/Genre: 1973, Country RockMatrix #: CPL1-0374Condition: VG+, sounds great, very light marks
C...
Year/Genre: 1973, Country RockMatrix #: CPL1-0374Condition: VG+, sounds great, very light marks
Cultural Facts:
Released in 1973 and quickly became Denver’s first #1 album on the Billboard 200, with a long chart run (176 weeks).
It spotlights his songwriter side: “Leaving on a Jet Plane” was written by Denver and hit #1 in 1969 via Peter, Paul and Mary—same folk-pop lane as Jim Croce / Cat Stevens fans.
In 1975, Denver’s CMA Entertainer of the Year win triggered backlash; presenter Ch...
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Title: Johnny ...
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Title: Johnny Cash – Johnny Cash at San QuentinYear/Genre: 1969, Country (Live)Condition: VG (cover is worn from age but still looks good)
Cultural Facts:
Cash had to negotiate with prison officials over what could be said on stage—part of why these shows feel like a public high-wire act.
The album fed a broader late-’60s debate about punishment vs. rehabilitation, making Cash a rare country star treated li...